Hi! I’m Pam Kaur Gibbons, a comic enthusiast and a teacher of English to international students based in London. I tweet @kaurgibbons
LDC at The Cartoon Museum was exciting as ever:
- The Question: Something interesting/funny about your name OR you’re favourite plant
- The audience was packed with floral names: Fleur, Poppy, Lily to name a few.
- Comic artist
- Focuses on the formula of life experience + creativity = what?
- Loves drawing mugs of tea: “keep going for hours”
- “Why write autobio comics?” Comics lend themselves to autobiographical work in that they can leave a legacy for posterity. Also, important for working in the Here and Now and wanting to change something in the current society
- Aware of the stigma around mental health and wondered how is this illustrated?
‘The Butterfly Stage’ Graphic Novel
- Trying to be truthful in the images being used
- Really important to tell it through a true story
- Took a while to feel comfortable to tell the story
- ‘Worrying’ represented in a cyclical way
- Often the images associated with psychosis are horrendous and sensationalised and did not depict her personal experience
- Use of images as a symbolisation of psychosis but wanted to be careful that they would not cause a trigger
- Use of the flower: “something alive is happening in my mind”
- Being truthful and not a cliché
- It focuses on transformation
Education Director at Positive Negatives
- Director: Dr Benjamin Dix, Senior Fellow at SOAS
- Founded in 2012
- Ethno-graphic research non-profit
- Make comic animations about real-life stories
- Due to human rights’ implications and security issues, turn photos into graphic illustrations
- Capture people’s stories whilst protecting their identity
- Focus of comics are humanitarian issues, social issues, race, natural disasters and more
- Use comics to transform policy makers’ research or statistics to be more accessible
- Comics humanise the statistics and bring to life the issues
- Get the wider general audience to critically engage with the issues
- Work with a wide range of artists from around the world to be culturally appropriate to the story being portrayed
- Use mixed medium such as real photos mixed with illustration to further the impact of the story being represented
- Go out to meet refugees / individuals / activists all over the world
- Work with same-sex interpreters
- Work with same-sex artists
- Take lots of photos from field work as most researchers are not artists
- Take contextual information for the artists, if they are unable to come out for field-work
- Write the script
- Take that back to the respondent and get them to check for accuracy
- Do the same for the storyboard
- Take the draft storyboard to the respondent, to ensure visual accuracy
- At the end of the process give the respondent a hard copy of the work
- Talk about the process to the respondent, and ask them “What it’s like seeing your story in front of you?” and “Has there been any effect on the community?”
- Established in 2016
- Focus on the UK education national curriculum
- Over 60 published lesson plans that are available free
- Teachers can filter by: age, topic, length of lesson
- Up to 10 contextual links within each lesson plan, such as maps, research, infographics, and videos, to bring the issue to life.
There was a special pop-up LDC in NYC in March, hosted by Karen Green, in her fabulous flat.
It was a wonderful night featuring local talented and inspiring comic artists and comics scholars:
as well as a remarkable lemon and courgette/zucchini cake by Ellen! Deelicious!
Thank you to everyone for coming and a big thank you to Yael Michaeli ( who, as you can see is a rising star at 11 years old!) for these wonderful blog drawings of the night.
Let’s do it again soon NYC!!!
This month the Laydeez of London, Leeds and Birmingham joined forces with Ladies Night Anthology, the Comic Book Slumber Party, and FEMSKT and took Angouleme by storm. You can read a full account of their adventures on the Broken Frontier website on the link below. Contributions by Wallis Eates, Megan Byrd and Hannah K Chapman.
Hello, I’m Jane Porter, your guest blogger for November 24 2016. I’m a children’s illustrator & author, but I am also reviving my teenage interest in making comics – a current project is a graphic novel retelling of ‘Moby Dick’, set on the river Wandle in south west London. Start small! You can see more about it here: and I’m posting new drawings on Instagram at @janeporterillustrator and Twitter at @TheJanePorter.
I’ve been along to LDC a couple of times before and it’s always inspiring, and November was no exception. The blogpost is illustrated with some pages from my comic diary…
We started with The Question as usual:
Next, two speakers who were united by the extraordinary things they can do with a pencil. First up was Hannah Eaton. She talked about the love of British folklore that underpins both her debut graphic novel, Naming Monsters (Myriad Editions, 2013), and her new project, which sounds as if it will be epic.
Hannah was funny, modest, and made me want to rush straight home and Up My Game. Her range of references is huge, from Robert and Iona Opie’s classic ‘Lore and Language of School Children’ (she has 2 copies) to Twin Peaks and other David Lynch works, to the Usborne Book of Ghosts which seems to have been a very formative experience. And not forgetting the ‘rich pickings’ of an archive of family photos going back to the 1920s.
Next was Amber Hsu – “she’s terrifically talented, and has worked in a morgue” – what better introduction does anyone need?
Amber described her own evolution from photographer to sculptor, to comics artist, publisher of Tiny Pencil and founder of the One Pound Poems project. Her tale of meeting a stranger on a train, and eventually hearing all his deepest darkest secrets was very moving, and the poems she showed on screen were very moving, and often funny at the same time – something that’s difficult to achieve. She also told a lovely story about writing a poem for an unborn baby, and months later, the mother brought the baby to meet her.
Footnote: I bought a copy of Naming Monsters and was so absorbed reading it I almost missed my stop on the way home, and was nearly late for work next morning as I couldn’t resist finishing it. If you haven’t seen it yet, get hold of a copy: it’s dark, funny, original and very moving, with gorgeous artwork too.
Monday 24 October 201
Abi Lingford Scientific illustrator and textiles artist currently working on a graphic novel http://lingfordillustration.blogspot.co.uk/
Samuel C Williams Illustrator, co-founder of Good Comics and author of
At War with Yourself (JKP publishing)
Joey Yu and Holly O’ Neil are illustrators and creatives who work together to become ‘The Illest Station‘!