Laydeez Do Comics: Saturday 27th June, Hebden Bridge

My name is Eleanor Hollindrake and I am an artist from Bradford. I am fairly new to the world of writing and drawing comics but I am currently working on a couple of quirky all ages’ books involving plenty of fun and dragons. I have a Tumblr where I blog some of the things that I draw and I will be at the Thought Bubble convention at The Royal Armoires in Leeds this November,  so if you are there please stop by and say, hi.

projects_0002 - Copy - Copy (2) The Leeds meeting for June actually took place in Hebden Bridge as part of the Hebden Bridge Art Festival. Louise Crosby introduced the evening and as there were a lot of new people at the meeting she started with a quick introduction to more autobiographical comics.

projects_0002 - Copy - Copy (3)The first speaker was Jacky Fleming who is a feminist cartoonist known for her postcards and comic strips. She talked about feminism, and how she attempts to make it accessible through simplistic and humours drawings, which draw on people’s collective experiences. We were treated to some of her later political cartoons, which were more about politics in general, and a glimpse at a new project about science, inspired by viewing may documentaries about the “great men of history” and wondering where all the women where.

projects_0002 - Copy - Copy

Second was Kate Charlesworth who talked us through the process of making her new graphic novel, Sally Heathcote: Suffragette, which she worked on with Mary and Bryan Talbot. Her talk fused on the artistic process from Bryan Talbot’s layouts, to sketches, through to the finished watercolour pages. Many things inspired the look of the characters and the portrayal of the suffragette movement, both from historical research, as well as their portrayal in TV dramas and other media. She talked briefly about the use of colour, how the colure builds as you progress though the book and also how important it was for Sally’s character to be recognisable on every page and so has red hair.

She finished with a short overview of how she originally became involved in comics and cartooning through the LGBT press, drawing and writing about things she believed needed to be written about. It was an interesting look at comics tackling topics which were not talked about in the general press.

Laydeez Do Comics: London, February 2015

Hi there! I’m Rowan Manning and I’m lucky enough to be the blogger for LDC London February 2015. I’m a developer by trade, I spend my week days making websites look pretty; but I love illustration and keep a regular diary comic which boosts my creativity. This is my fourth Laydeez, and it’s easily the most friendly and welcoming group of people I’ve found in London!

The question this month was: Have you had a “first experience” recently? The response was varied, though there was a definite focus on food. First kebab, first steak, first Nando’s, and first day having double fish and chips; the latter being something I definitely have to try! A less delicious-sounding first experience was “picking up a dog poo without a bag” – it put an end to my stomach rumblings.

Philippa Rice

The first speaker was Philippa Rice, I was really pleased when I found out she was speaking – I’ve been a fan for a little while. Also it was great to hear the story behind her latest book, Soppy (which you should definitely buy, it’s lovely).

Personally I was interested to hear that Soppy started life as rough daily sketches of Philippa’s life with her boyfriend. Most of my diary comics start in a similar way – as a doodle to help me remember what happened. The style of the finished book seems to take inspiration from Philippa’s hourly comic day drawings, which use cut-out elements similar to My Cardboard Life.

Philippa also spoke about her other work including My Cardboard Life, and comics like Recyclost. It was nice to hear about the transition from web comics to physical books, and the challenges this poses when your work isn’t in a standard format.

Carol Adlam

The next talk was by Carol Adlam, who spoke about The New Wipers Times. The original Wipers Times was a renowned trench magazine published by Nottingham’s Sherwood Foresters whilst fighting in World War I; it was a satirical look at the war, and managed to find irony and humour in some of the most dire situations imaginable.

The New Wipers Times is a graphic anthology which gives a glimpse into army life. It tries to retain the spirit of the original and commemorates the centenary of the outbreak of the Great War. Developed with the current army families based at Chetwynd Barracks in Nottingham, it was really interesting to hear some of their stories.

Sophie Herxheimer

I remember thinking at several points during Sophie’s talk: “How the hell am I going to document this on the blog!?”: The talk had a focus on “talking to ghosts” (life and death making up a lot of the subject matter), but it felt more like a wonderful rambling insight into the life of a very creative woman.

The first of Sophie’s projects mentioned was Hurricane Butter – a collection of poems and drawings acting as a memorial to her mother. It was lovely to listen to readings from the book, and to hear about a woman who’s obviously been a great inspiration to Sophie.

Another of the works that was spoken about in detail was an enormous table-cloth for Feast On The Bridge, where each place setting was screen-printed with another person’s food story; this was supposed to work as an ice-breaker before the meal. These stories were collected by Sophie, who spent 10–15 minutes talking to people and coaxing tales about food out of them.

Sophie covered many other interesting projects during her talk, I’d recommend exploring Sophie’s Website for a better idea of what she’s working on.

Laydeez do Comics Leeds, November 17th by James Norris

I am James Norris, I am an artist and there is some information about me at the end of the post. I was invited to blog for the Laydeez do Comics Leeds meeting on Monday 17th November that boasted talks by Rikke Hollænder, Miss Heather and Lizzie Boyle. Each of these talks were delightful in their own way, starting with Rikke  who gave a funny insight into the making of her new graphic novel Travels With Albert. She remarked that her brother had had the idea and she got the work load. Interestingly she is currently undertaking a forestry degree.


Lizzie Boyle then discussed her new compilation graphic novel CROSS which she described as a politicized novel but ‘in a British way’. She divulged her passions for helping young artists make their work as she believes, as do I, that graphic novels (I would just say art) can change the world. She also led an interesting thought to questioning the gender qualities of content. Like many, she has recognised the poor writing of female characters in works of fiction, with the idea of a “strong female character” being a personal bugbear of hers. This reminds me of the Bechdel scale, a term coined by Alison Bechdel.


Finally Miss Heather gave a heart-warmingly shrewd talk on comics for young females. She marked that she, as a child and indeed now, would like to see a person in a graphic novel that represented her. She amusingly remarked that most commercial magazines for girls seem to simply make something pink then tape a lip-gloss to it – well done, now it’s for girls. Miss Heather called for more work for girls, girls that look like her and talk about things that she is interested in! Her talk complimenting Lizzie’s towards a more empowered female impression on the graphic novel industry which I support wholeheartedly.

Miss Heather

Whilst brief, I hope you can enjoy this write up on my experience (of my second Laydeez meeting) which was as dynamic and exciting as their clothes were colourful!

Written By James Norris.

James Norris is currently working through his first graphic novel ‘A Mother’s Trace’ that uses his childhood experiences and the suicide of his mother. It is an autobiographic graphic novel that aims to unpick a devastating mess and attempt to understand such an all encompassing void that suicide leaves behind, underpinned (hopefully) with humour and an academic outlook.

If you would like to see the first chapter (part one and two) of his book ‘A Mother’s Trace’ then please see his tumblr account here:

Alternatively you may wish to read an article written about James and his new book here:

If you have any questions or comments to pass onto James please feel free to message him on the tumblr account or his twitter account @amotherstrace


London Laydeez Do Comics, September 2014

Hi! I’m Pete Hindle, the blogger for the September 2014 London edition of “Laydeez Do Comics”. I’m an artist and part-time writer, living in rural Bedfordshire, and I’ve been coming to LDC for about a year now.

Returning after the summer break, this was the second Laydeez do Comics at the new Foyles location. The old Foyles, with it’s wigglydy pigglidly floorplan, was much more fun, but the seats in the lecture theatre were torture. For anyone who hasn’t come to the new venue yet, I’m glad to report that now the furniture is much kinder to your butt.

Every session of LDC starts with a question, so that the audience know what it’s like to be nervous and speak in front of the whole room. This time, the question was ‘what was your best piece of advice’, and loads of good advice was given out but I didn’t make any notes on it. When this was finished, Nicola looked out over the crowded room, and asked if I’d write this blog because the person who is supposed to do it hadn’t turned up.


The first presenter was Kate Evans, talking about two of her books. Just published, (By Myriad Editions, who published two of her previous books The Food of Love and Funny Weather) is Bump, a book about childbirth  in a choose-your-own-adventure comic format. I thought this looked great, and was very impressed by Kate’s reading of panels depicting the childbirth process. As Kate stood at the front, saying words like “screaming, pooping, orgasming…” I thought to myself that there could be no more ‘Laydeez Do Comics’ experience than this. Then I remembered I had brought two friends with me and this was their first experience of Laydeez that do Comics. Oops! It’s ok though, I checked, and my friends said they enjoyed themselves.


Kate then went on to talk about her biography of Rosa Luxemborg, a work in progress, and showed us some of her rough drafts. Finally, she finished off by showing us a few pages of the Luxemborg book that she had worked up to publication standard, and dipped into her extensive research on the topic. If graphic novels about strident female Communists in pre-War Europe are your thing, than this is the book you have been waiting for.


Next was Paddy Johnson, talking about his self-published comic Long Division. Paddy is also a writer and academic (here is his recent essay on Julia Wertz’s career), and he spoke about his shift away from writing fiction into drawing comics whilst studying creative fiction at postgraduate level. His work reminds me a lot of the style of Alec Longstreth, another comic artist heavily into self-publishing.


Then, mercifully, it was time for cake.

We were originally told that there would be no cake in the brave new world of Foyles, but at the last minute a reprieve was given. God only knows how Sarah managed to cook a huge apple cake AND an enormous chocolate cake so quickly. If it had been up to me, there would have been an enormous pile of flour and cooking apples, and I would have told people to mix up the ingredients in their stomachs.


After the break, I felt a bit sleepy and maybe I had to loosen my belt a bit, so my notes were not as good or comprehensive. Which was a shame because Matilda Tristam gave a great talk about her new book, Probably Nothing, (Penguin) a history of her treatment for cancer that she received during pregnancy.


Not only is Matilda a likeable force when presenting her work, but her book is hilarious. The cartoonish style presents some of the most serious things that we face in life – births and deaths – and we’re lucky that she was here to talk about it with us.

Laydeez do comics are 5

I am Simone Lia. I am a comics artist and illustrator and the author of Fluffy and Please God Find Me a Husband! Both published by Jonathan Cape. You can find out more about me and my work from my website and blog I was invited to be the guest blogger for the big birthday…

What better to place to celebrate the Laydeez Do Comics 5th birthday than in the brand new swanky flagship Foyles store. I oohed and ahhed upon entering the building in the welcoming environment with its wide staircases and open spaces that allow you to read books in an informal and buzzy setting.

Taking the lift up to the 6th floor I was surprised when Guardian journalist Laurie Penny stepped in. I think it was her. She’s quite famous for being a feminist and having lots of opinions.  I didn’t want to gawp but from my peripheral vision I could see that she was standing right in my face looking at me. A bit intense.  I thought perhaps this was a method that famous people use to intimidate normal people.

Laurie Penny1

In the end it turned out that I was facing the wrong direction in the lift and was blocking the door. Classic lift faux pas.

The events room on the top floor is extremely slick and modern.  It wouldn’t have been a surprise if the evening had kicked off with Sarah and Nicola arriving on the stage on rising podiums in a fog of dry ice. They didn’t do that but instead emphasized the essence of what Laydeez Do Comics is about. And that is a place where the audience matters, everyone feels connected and a community is created.  Thanks to Nicola and Sarah; Laydeez is a welcoming forum for inspiration, creativity, sharing and learning.

Nicola made a rousing and inspirational speech that acknowledged the humble beginnings in 2009 in a place with a leaky roof.

Nicola, opening speech

Personally, I remember it as a cold, concrete floored room on Brick Lane, with rain filled buckets and dirty faced children, wearing rags who sang about pick-pocketing techniques and Nicola singing, I dreamed a dream.  At least I think that’s what I remember…

Laydeez has kept it’s integrity of connectivity and has flourished, impressively growing in numbers with branches throughout the UK and Internationally. Look at how many places it’s popped up at!


Tonight was a celebration of this and bringing together some of the organisers that run Laydeez here and abroad.  Before the speakers spoke we viewed Sarah’s epic home made birthday cake.  It would be the last of those cakes. From now on it’s going to be Foyle’s fodder.


Anna Brewer artist and the Glasgow Laydeez organiser, was the first speaker. Anna is from London, she lives in Glasgow and was in the States for 25 years. Through her work she explores areas that she lives and does very unusual and playful research as to what kind place it is that she’s living in.  She finds out the kind of chickens that live there and what kind of farming machinery is used.  Through making artwork she is able to connect and share her experiences with others and convey her own emotional experiences.

Anna Brewer

I loved Anna’s unusual outlook and the way that she, for example can compare combine harvesters to a line of chorus girls. You can see her sensitive and beautiful drawings here and more drawing here.  What resonated was Anna’s drawings of a little frog who sometimes, she describes, is a devil frog who voices what is going on in her head.  The inner critic.  I used to try and ignore him but now I let him say everything and it takes away his power. 

Anna makes artwork for her HP who, like a loving parent appreciates and values what she does.  At first I thought HP stood for Hewlett Packard.  Perhaps it was time for me to switch printer brand?  Epson just doesn’t do that kind of empathy.  But then Anna explained that HP stands for Higher Power.  My thoughts were that her work then not only becomes a gift to her HP but also a gift to the audience. It did feel like that upon viewing. Thanks Anna!

Next up was a slide presentation about the F Word project from Maureen Burdock, presented by Sarah and Nicola. Maureen Burdock runs Laydeez do Comics in San Fransisco. To see more of her work about and the F Word Project take a peak here

Louise Crosby who runs Leeds Laydeez do comics was next up to show us her work.  I had a massive blog fail at this point as I decided to draw in my sketchbook without taking notes/photos and listen properly on the recorder afterwards.  My recorder didn’t work and this drawing is horrible (!)

Louise Crosby

It was a great presentation, Louise talked about her work and accidental start into comics from her print making background and her new arts council funded project Seeing Poetry.  Louise has been illustrating the poems of Clare Shaw.  What struck me whilst listening and making awful drawings in my sketchbook, was the sensitivity that Louise brings to the relationship of image and poetry, particularly, I felt, honouring the silent and unspoken words of the poem.  You can see Louise’s seeing poetry website here.

We watched a video interview between MK Comic Nurse and Nicola. Comic nurse runs the Chicago Laydeez.  MK is a nurse, a comic artist, illustrator, photographer and she talks a lot about comics. You can see that video here.

Paula Knight, who runs Bristol Laydeez do Comics talked about her upcoming book The Facts of Life, that will be published by Myriad Editions.

Paula Knight

Paula had been to a comics convention in Bristol in the mid-naughties.  She’d felt too female and too old but had found that there were similar people at Laydeez.  Old? Nicola asked. Everyone laughed heartily.  Paula found more than she identified with the type and content of work being made and shown at Laydeez do Comics.

Paula’s artwork is engaging, accessible and brave. She’s widely been exploring themes of fertility particularly with her own, in her artwork.  She showed us some drawing that she’s been making for The Facts of Life. Rather cleverly Paula made spin off comics to take to conventions, this got her involved in the event and she received feedback for the longer form of her work. She is very brave, I think, exposing such personal subject matter to a broad and potentially undiscerning audience. “I received interesting feedback” she said one man pointed at the artwork, pulled a face and ran away.” Another woman read through the whole book and pulled disgusted faces through out. Paula thinks she might have been offended but I wonder if that was the case, there was clearly something about the quality of the artwork that compelled the lady to read straight through.

Sarah Lightman, co-founder of Laydeez do Comics, artist, and curator is researching a PhD in comics at the University of Glasgow in autobiographical comics; “The Drawn Wound, Hurting and Healing”. She is also a new mother to Harry.

Sarah showed artwork from The Book of Sarah, her memoir that will be published by Myriad Editions in 2015.  It’s the unwritten book of the bible, “there is a book of Daniel, and there is a book of Esther, but not of Sarah,she says commenting that her siblings have the same names and she is the youngest child, wants what the others have. In her work Sarah draws parallels between herself, late(ish) motherhood and baking. Her biblical namesake and her book will intertwine the two characters, contemporizing and positioning her Sarah in the centre.

Sarah also talked about her touring exhibition of autobiographical artists –Graphic Details coming to London this September that will be showing work from artists that that you might not know of. Sarah’s desire is to change the culture so that as artists we are referencing each others work in talks and the papers that we write, and in doing so creating an art history that hasn’t been written yet.  She has a solo show in America September and October.  Last year Sarah was working on the Graphic Details, Jewish Womens Confessional Comics in Essays and interviews, published by McFarland later this year. Sarah is doing this to fill the spaces in the libraries with voices that have never been recorded before.

Maura McHugh (Splinster) Laydeez organiser from Dublin who was not there in person, had a powerpoint presentation. She has a life long interest in sci-fi and horror fiction and is among many other things, the co-writer of Witchfinder which is a five issue mini series published by Dark Horse Comics.  Maura says “horror has been good to me”. You can see Maura’s work here.

Finally we had the other co-founder of Laydeez do Comics, Nicola Streeten.

Nicola asked the question in 2008 – where are all the women in comics?  This is the issue that bonded her with Sarah Lightman and prompted them to start up LDC.   Nicola talked about her latest work which is a commission from The Collection Gallery in Lincoln.  They asked her to work with people who wouldn’t usually visit a gallery and Nicola chose to work with offenders in HM Lincoln prison. Working with other peoples’ stories rather than her own narrative brought about new writing challenges.

Paula had touched on this subject earlier. She’d been working with the transcript of a cancer patient for a research project called The Phoenix Project.  The man was suffering erectile dysfunction due to the treatment that he was receiving – having not met or spoken to the man, Paula’s question was whether she had pitched her sense of humour at the right level. Whether she was being sensitive to his story.

Nicola had a different set of difficulties of a more practical nature.  She’d planned to work with the children who were visiting their fathers. Everything was set up but she found that it was difficult for the children to participate. It was partly the age difference of the children (from 1 to 12) but mostly it was because the children had come to visit their Dads. Nicola had to adapt her approach and the angle that she was coming from, and was invited instead to work directly with a small group of offenders.

As part of Nicola’s PhD research she is setting up Graphic Cultures. It’s a website that will be a platform for comics works that engage with social and political issues. It’s being launched  with Dr Nina Burrowes, who has created a free comics book online telling stories of people who have experienced domestic violence and rape.

The evening was concluded with some chit chat and then being booted out by Foyles staff. It was a brilliant craic, a proper celebration. I came away feeling very inspired and impressed by the artwork that I’d seen and was really impressed at the bold, yet humble vision of Sarah and Nicola.  They have succeeded in executing with confidence and excellence bringing people together and giving those who might be on the fringes, or unnoticed –  a voice and a platform.

So from everyone who has experienced Laydeez do Comics and been inspired or made friendships or been helped in any way,  a massive thank you!  Thanks to Sarah and Nicola and all the Laydeez do Comics organisers. Thank you for all of the hard work that you’ve put in.  We very much appreciate it.

Laydeez do Comics Leeds, 25 Nov 2013

Hi, I’m Fiona Marchbank and I work as a freelance Illustrator and Designer and do comics projects for fun on the side. I was asked to guest blog at the Laydeez do Comics Leeds in November. I will say in advance, I’ve had a bit of time left alone with the sketches I did on the night before I’ve had to make this post, and might have gone a little bit overboard with the drawings. I regret nothing!

Thanks to Thought Bubble Comic Convention attracting artists (and attendees) from far and wide Laydeez was able to snag some artists who wouldn’t normally be able to make it up to Leeds but were here for the convention. The speakers were Gemma Correll, Paula Knight and Ian Williams.

First thing on the agenda was to wish Laydeez do Comics Leeds a happy 1st Birthday.


Unfortunately there was no cake, but there was soup on offer from the venue, Wharf Chambers, and that’s almost as good as cake.

Gemma Correll

Gemma was a requested guest through the suggestions forms, so it really can work to suggest artists you’d love to see speak at a Laydeez Event.


“I thought I would start with pictures of my pugs”

Due to needing to catch an early train home, Gemma Correll was our first speaker, before the usual introductory questions. She opened with photographs of her two adorable pugs.

Though professing to not be very good at giving presentations Gemma was very engaging, enlightening us with a large range of work from professional and personal comics to illustration work.

Refreshingly, Gemma’s illustrations also make use of comic styling, a light, graphic approach and integrated text and image. Though she claims they’re not ‘real illustration’ but she gets paid for them anyway.

Gemma’s work revels in it’s spontaneity. She doesn’t sketch her work first, rather draws the final cartoons straight on paper, as her work needs that freshness that can be lost in excessive planning, sketching and inking.


“They want to pet them, or ask if they can breath”

Gemma’s pugs play a large role in her comic work, where she has illustrated and made books about her pugs, and made little cartoons about their inner thoughts. Her book “A Pugs Guide to Ettiquette” is entirely from the point of view of her dog. Gemma also makes cat comics for Emirates Airline magazine.


“I like their look of disdain”

Gemma likes to put in comic diary format things going on in her life. She talked about how she was useless at sport, yet was currently trying to do more and showed us examples of her diary work about sport.

As a previous fan of Gemma’s animal work it was great to be able to see a more diverse range of her work, and be able to talk to her before the meeting as she had to dash off fairly quickly after her talk was over to catch her train. It was fab that she made the effort to stay the extra time after the convention to speak to Laydeez do Comics.

After Gemma’s talk we then had the introductory questions, which this time was about characters or people to add (or remove) from the Comics Hall of Fame.


“Godzilla is not to be taken seriously”

It was suggested that the balloon boob comic ladies of superhero infamy needed out of the hall of fame, and that Garfield, Tintin, Marjane Satrapi, Charlie Brown and the gang, Calvin and Hobbs, Jean Grey, Death from Sandman and Superman amoung others should be allowed in.

Paula Knight

The second speaker was Paula Knight, from the Bristol Laydeez do Comics. Paula was talking about her work on a graphic memoir, and her first slide was a scene from a motorway, chosen because it had “Leeds” written on a sign in the background.


“The thing about memoir… it inevitably includes personal info about secondary characters, like my poor husband”

Paula’s work deals a lot with what it means to be female, as well as adressing some tough issues such as pregnancy and Miscarriage.


“It’s not a very happy subject, but I enjoyed doing it”

Paula’s memoir (or the pages that were shown to us) really makes use of the illustrative nature of comics, sometimes needing to use no words at all to describe the storyline or feelings of the author. The illustrations are sometimes very detailed and sometimes very stark, using the right amount of detail to give impact to what she’s talking about at that time.


“There’s a lot of silence about miscarriage”

While her topic was often sombre and heartfelt, Paula was very engaging and remarked that “It wouldn’t be Laydeez do Comics if I didn’t mention Vaginas”

Paula’s memoir is due out in 2015, published by Myriad Editions. While we were shown a lot of work in process slides, I am looking forward to seeing the finished product.

Ian Williams

Ian Williams is a comic book artist, physician and writer. He was presenting a talk about his approach to using comics within the medical profession to help doctors come to terms with the everyday realities of their job.


“You did not own up to [mental illness]”

He presented us parts of his soon to be published book, The Bad Doctor. It is a fictional story about a rural GP but contains some autobiographical elements with Ian’s history in medicine. Previously Ian has published comics under a pseudonym, Thom Ferrier,  to avoid patients recognising themselves in his work.


“I didn’t want patients to know I made the comics and try to see themselves”

He also talked about his own struggles withing the medical industry and how comics have been his outlet for his thoughts about being a doctor.


“I have a good memory. I suppose due to things that I cannot get out my head”

It was fascinating to hear Ian speak, especially as I come from a purely art background, and Ian approaches comics from a completely different perspective. His book, The Bad Doctor,  is yet another that I will be looking forward to getting my hands on.

Unfortunately I was unable to stay for drinks and a chat after the event as I had also spent the previous few days in a comics haze, first at the Comics Forum and then at Thought Bubble, and I was ready to pass out, but once again all the speakers were diverse and interesting and a good night was had, hopefully by all.

And here are some of the original sketches before I went a little nuts on them.

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I did my live drawing upon my recently acquired iPad, thanks to a wonderful piece of software by adobe, because as a predominantly digital artist I’m more comfortable with the ability to use colour and all that jazz, but mostly because I just got an iPad and I’m a gadget fan so I’m going to use this thing if it kills me.
My other work can be found on my portfolio.

Laydeez do Comics London, May 2013

rachaelballFirst up – Rachael Ball
Illustrator, comic book artist and blogger. Rachael Ball began her webcomic ‘The Inflatable Woman’ after treatment following a diagnosis of breast cancer.
At her Laydeez do comics presentation, she described how her zoo keeper, Dr Doolittle-like heroine ‘Iris Pink-Percy’ came about.
The story is “loosely based” on the author’s own experience, Iris too has received a diagnosis of breast cancer. Through Rachael’s surrealistic pencil drawings we see how Iris deals with this day to day (on first hearing the bad news, for example, she turns the volume control down on the world around her), the people she meets, the nightmares she has and her talks with the sympathetic penguins who come and serenade her beneath her window.
Currently Iris is about to begin her cancer treatment and her alterego ‘balletgirl42’, an internationally successful prima ballerina, has begun an online romance with ‘sailorbuoy39’.
Rachael uploads a new episode each month.
Follow ‘The Inflatable Woman’ and see more of Rachael’s work here:
Canan Marasligil
French speaking, Amsterdam based, translator and editor Canan (pronounced Janan) Marasligil is a multi-linguist of Turkish extraction and passionate reader of comics. She introduced us to comics and graphic novels from Turkey and the international comics festivals she’s helped to arrange. She believes that comics are a strong medium for freedom of expression.
As she grew up in Belgium, she said she saw the world “euro centrically”. This changed when she travelled to Algeria  and discovered some of the “other great stories happening out there”. This also fired her interest in comics when she fell in love with the work of an Algerian comics artist and translated her comic from French to English.
Canan spoke about the comics workshops she ran in schools as part of Islington Word Festival and how effective the medium was for helping young people to tell stories. She also showed us the comic she has written called ‘Muted’ which was illustrated through an online collaboration with an artist in Poland.
She is currently translator in residence at Free Word Centre in London and links to her work can be found here:
Isobel Williams
The final speaker this evening was Isobel Williams who presented a work in progress called ‘Pearls and Pills’. This is an autobiographical work which describes her experience with suicidal depression. “By the time I was 10 I knew I was depressed. I just didn’t know what depression was. It’s just something you can inherit”.
Growing up in the early 60’s she interweaves the news stories of the day such as the Cuban missile crisis (“Most people stock-piled tea and food. Mummy stock-piled sleeping pills”), Christine Keeler and the Profumo affair into her own family relationships and her inner thoughts of suicide by overdose.
She spoke of her early experiences with doctors and the drugs that made her hallucinate, a second suicide attempt at University (which resulted in her being unable to open a copy of Fahrenheit 451 for decades afterwards) and her decision in adulthood to get treatment.
Her life drawings can be seen here:
She’ll be presenting ‘Pearls and Pills’ to Graphic Medicine this July.
I’m Jessica Cheeseman. I make films (animations, documentaries, experimental), illustrate and paint.  Currently I’m cinematographer on a horror feature.

Making the leap to comics and graphic novels felt right and easy, I guess because they’re both sequential art. Last year I finished illustrating a collaborative graphic novel called Winterland. This year I’m planning a new one, probably drawing on paper instead of exclusively digitally.

Most of my work is available here:

It’s been great being this months guest blogger and I hope this short introduction to these three speakers will inspire you to check out their respective websites and substantial bodies of work.
I’ve always had a fantastic time at Laydeez do Comics and this month was no exception.

Laydeez Do Comics Leeds January 2013

Laydeez Do Comics Leeds: January, 2013
by Christine Chettle
As in November, I was struck by the diversity of the attendees at Laydeez Do Comics. The audience was of a range of ages and interests: as well as comic artists, there was an intriguing mix of students, chefs, illustrators, academics, and a whole lot more.  The speakers were Kate Ashwin, Kristyna Baczynski, and Darryl Cunningham. Interestingly, all of the speakers framed their presentations in the context of how they developed professionally, in quite different ways. Taken together, this combination gave an empowering and multi-faceted inspiration. In addition to the considerable insight given in their presentations, each presenter was kind enough to answer two further questions from me about a) women in comics and b) any specific words of wisdom for artists just starting out.  Before talking about the feature artists, here’s a quick plug for some other projects mentioned during the session. The Blood Bag Project is a craft project that aims to raise awareness of Diamond Blackfan Anaemia, set up by the aunt of a 2-year-old girl who suffers from this condition (Chloe). Check it out here:  Becoming is a feminist coming-of-age collective, currently accepting proposals. Check it out hereː I’ll also talk about my own work at the end (part of the perks of blogging for Laydeez Do Comics), so stay tuned for that. I’m afraid I’m more one to consume comics and talk about them rather than draw them, so please have patience with my attempts at illustration . . .
Kate Ashwin:
Ashwin has been working in comics for twelve years.  She started off with Darken, a swords and sorcery comic and she currently writes the Victorian webcomic Widdershins.  Widdershins is an alternative version of Victorian Englandː it represents Victorian Yorkshire as an epicentre of magic and has been called ‘Indiana Jones with magic’. In contrast to other webcomics which follow more of a diary format, she always writes a story arc first.  Ashwin finds it helpful to use short stories to test out characters.
Ashwin talked a lot about how artists can use social media to raise their profile. She has just recently funded a graphic novel through Kickstarter, which she was able to do in part because she has a fan base.   Establishing a fan base takes time and can be difficult, of course.  Ashwin has built this up over the past twelve years, through being connected with other webcomic artists in various different ways, including conventions, ads like Project Wonderful, and through the comic art buzz on twitter/facebook/tumblr, which helped her to disseminate the project and other work.  Kickstarter (an independent crowdsourcing programme) has different tiers of rewards, offering a chance for people from different incomes to contribute. As well as the comic, she offered extra book pages, bookmarks, and excerpts from the drawing process.  Her project was funded in just 2 weeks, reaching twice its financial goal. This occurred partly through her fan base and partly through promotions by Kickstarter, which come as part of its package. She was also assisted by some generous re-tweeting from Neil Gaiman!
How is it being a female webcomic artist in the comics industry?
Being online is a shield from potential negativity, especially as Ashwin’s  public name is gender neutral ,  which helps since people assume that it is male by default.  There is a danger than people can be a bit creepy at conventions; people sometimes focus more on the artist’s self-portrait than their actual work. However, generally Ashwin has been able to deflect unwanted attention.  There is a sense of ‘background radiation’ but this is changing: fifty percent of webcomics are by women.
Any advice?
 ‘Draw what you’d like to read; that’s something I’ve gone by. There’s a lot of excellent stuff out there and it’s great to be contributing to it. Take risks!’
Kristyna Baczynski
Baczynski is a freelance comics artist, an illustrator, and a designer. She has been drawing since childhood, and so decided to do a degree in Graphics and Design, specializing in illustration and animation. She won a Northern Design Award for a short animation that she did during her final year, which led to her working for the animation and media development team at Hallmark Cards’s Creative Studios in Bradford; she eventually became a designer and art director there. Baczynski worked on comics after hours, often staying up until one in the morning.
                After university, she found herself lost without the peer support she’d known from likeminded friends in her course.   So she created some little ‘zines—these were just sheets, folded and then cut up by hand– and bought a table at Thought Bubble Comic Festival 2009 to sell them, and discovered a whole world of inspiration. As well as making back what she’d spend on the ‘zines and more, Baczynski made friends with other comic artists across the UK who have helped and inspired her ever since. Some of these are Tom Humberstone (another comic book artist and also the editor of Solipsistic Pop), Matt Sheret and Julia Scheele (the people behind We Are Words and Pictures, publishers of the comics paper, Paper Science).  Baczynski has since contributed to multiple issues of both Solipsistic Pop and Paper Science. She continued to work hard on her comics outside of 9-5 hours, making self-published comic books and ‘zines to sell online and to take to fairs and conventions.
                Her hard work has paid off. In 2011, Baczynski was the first Thought Bubble Artist in Residence, which was affirming in many ways.   She was asked to be part of Nelson, a collaborative story anthology created by comics artists all over the UK. Nelson was coordinated by Rob Davis and Woodrow Phoenix and published by Blank Slate Books.  Baczynski received positive mentions in both the Guardian’s and the Observer’s reviews of Nelson, and was also invited to Hay-on-Wye Literature Festival as an author in 2012 because of her work in Nelson.  In 2012, Baczynski decided that she had enough of a portfolio, of a reputation, and enough experience to go freelance.
What is it like being a woman in comics?
“I’ve never felt any negative stereotypes for being a woman. Women are underrepresented because comics have a stigma of boys playing around. If you work with a small press, you find there is an equal percentage of varied demographics, a fairer demographic. The more people raise awareness of the presence and potential of women in comics, the more change will come.
Any advice?
‘Comics are a labour of love. And it does feel like labour sometimes, especially when you’re working into the night between working a day job. But I find that they are the culmination of all my skills and they stretch and test those skills more than any other work I do or have done. Writer, typographer, designer, illustrator, painter, colourist, printer [ . . .] It’s all in one medium and you apply and grow all those skills as a comics creator, and I find that so rewarding.’
Darryl Cunningham
Darryl Cunningham is a cartoonist, and has written Psychiatric Tales, and Science Tales. Cunningham always had a love of doodling and started out doodling buildings in Keighley and York. As a boy, he read Marvel comics and thought ‘I want to grow up and be a superhero artist’.   He studied at Leeds College of Art, experimenting with different image styles. 
For a day job, Cunningham worked for a long time on an acute psychiatric ward as a nurse, encountering different forms of severe mental illness, eg.  bipolar disorder.  He uses his book Psychiatric Tales to explore these experiences, which acquired an even more personal aspect when he himself developed depression as result of burn-out at work.  His cartooning skills became a way of battling depression. By putting his interests to creative use, a new landscape emerged.
Cunningham was particularly inspired by Marjane Satrapi (writer of the well-known graphic novel Persepolis, which charts Satrapi’s childhood and teenage years in Iran and Austria).   He started to keep a cartoon diary which combined his experience of depression and his years of experience on the ward, focusing on an immediacy of style.  Cunningham made the typeface from his own handwriting and incorporated photographs into his drawings.
He started putting chapters on the internet and received a huge response, developing an online fanbase. This fanbase allowed him to publish the original cartoon diary as Psychiatric Tales Cunningham found that ‘if you build up a fanbase online, then people [publishers] come to you’.  He received support from the comics communityː Scott McCloud helpfully put a link on his blog, for example.  As a result of this fanbase, Cunningham has published Science Tales (which tackles the subject of science denialism including anti-evolutionism and climate change denial) and is currently working on Political Tales (which examines police accountability).
What’s your take on women and comicsʔ
‘Sometimes women face a resistance in the comics world – for example, sometimes online, there can be sexual aggression towards women.   Men should take steps to become aware of women’s perspectives, through reading women’s blogs, for instance.   I would like to see more women getting involved, as they bring new subjects and new perspectives.’
Any adviceʔ
‘Look deep in yourself for the qualities you need to survive – your talents, hopes, dreams and desires – because these are the things that will save you.’
Who am I?
My name is Christine Chettle and I’m a big fan of webcomics.  I’m also a PhD student at the University of Leeds.  My thesis examines, among other things, aesthetics, social transformation and fantasy in Victorian fiction (works by Charlotte Brontë, Charles Dickens, George Eliot and George MacDonald).   Because of this,  I’ve discovered a fascination for sequential illustrationː last September I gave a conference paper on Victorian cartoons featuring crinolines (‘The Value of Enlargement:  Crinolines and Gauging Community in George Eliot’s Daniel Deronda ) and I have a book chapter coming out next year on sequential illustration in two novels by Charles Dickens (‘Graphic Haunting: Illustration and Liminal Masculinity in Charles Dickens’ Nicholas Nickleby and A Christmas Carol’ in Haunted Men: Masculinity in Victorian and Edwardian Ghost Stories(Pickering and Chatto, 2014)).  In addition to all this, I’ve just started a blog ( and I’m launching an international collaborative project ‘Subverting Laughter’ which will use sequential illustration as a digital storytelling method.  Check the holding page out here:
You can find me on Twitter at @Cherissonne and email me at, or  My academic profile is here:

That’s all for now! Stay tuned for the next Laydeez Do Comics Leeds on Monday, 25th February, 2013: 

Wharf Chambers
23-25 Wharf Street,
Leeds LS2 7EQ